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Delinquents
Rating: 3 Stars
Written and directed by Doug Jeffries. Videography by Ross Cannon, Hue Wilde, and Adam Killian. Edited by CH. Starring Jan Fischer, Benjamin Bradley, Tyler Riggz, Johnny Hazzard, Tommy Blade, Scott Swann, Nick Mazzaro, and Matt Cole.
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Jan Fischer and friends trash convenience stores, burgle apartments, mug people, smash car windows, and spray "FUCK OFF!" on walls. At the dive where they hang out, Fischer helps accomplice Scott Swann chat up clueless Matt Cole, whose bulging billfold complements his bulging trousers. Drugging his drink, they entice him into sex. The drug (crystal Viagra?) makes Cole woozy, then appears to fire him up. He's so transported by Swann's oral skills that he doesn't see Fischer make off with his wallet.

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lush with cash, Fischer summons amigo Tommy Blade to share a post-theft joint in an out-of-the-way wooded area. This brief idyll ends when beefy cops Tyler Riggz and Nick Mazzaro arrive in a cruiser. "Wanna see what we do to fags like you?" snarls Riggz, shoving a gun in Blade's face. (The police, of course, are far more badass-warped than any of the small-time miscreants they're rounding up.) After the usual quasi-rape involving nightsticks, Blade is left tied naked to a tree.

Fischer, however, is hauled in to headquarters, where he's pressured to confess to crimes and rat on his friends. He's warned about purportedly degrading sexual techniques in the police interrogation repertoire; Johnny (Wrong Side of the Tracks) Hazzard-- playing a cop for a change-- illustrates with the help of steamy bad-boy Benjamin Bradley. Eventually, Fischer is injected with a serum that makes him hallucinate, imagining he's lying on a gurney while a second Jan Fischer shoves ben-wa balls and a dildo the size of Delaware up his butt. His failure to break down in the face of this horror sets up Delinquents, Part 2.

Director Doug Jeffries makes the most of his own loony script. The best of four sex episodes, however, are the least elaborate. Strong chemistry between Scott Swann and Matt Cole stokes up their scene once Fischer slips away; the interrogation sequence between Hazzard and Bradley, in which criminal tops cop, comes close to igniting the set.