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Trucker
Rating: 3 Stars
IMD/Massive Studio. Produced, written, and directed by John Bruno. Videography by Ed Wood. Edited by Fay Dubois. Music by Angel. Starring Chris Steele, Jason Land, Joe Foster, Tony Micelli, Rob Romoni, Filippo Romano, Ross Taylor, Arik Travis, Greg McCord, and Carlo Cox.
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On a bridge over the L.A. River, badass trucker Chris Steele picks up hitchhiker Jason Land, an ash-blond trophy in a white tank top and faded jeans. "You like cock, boy?" Steele asks. "Want a big fat cock up your ass?" When his passenger resists, Steele throws the switch on the automatic door locks. Land seems unaware that he could climb out through the wide-open back of the cab. On the other hand, he doesn't seem all that desperate to escape. Steele drives his catch to a hidden industrial space where he maintains a colony of sex slaves.

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As Land is led away by one of Trucker's minions, he guesses correctly that he's "the new dish on the menu." Elsewhere in the underground sex den, various leftovers shoot pool and putter around. When pool player Ross Taylor misses a shot, Steele commands Greg McCord and Carlo Cox to rip off his clothes and lube him up. Unfortunately, writer/director John Bruno, who seems defeated by the logistics of getting his models out of their clothes, lets this happen off camera. This scene and others are riddled with jump cuts. Luckily, the cast seems voraciously horny. Taylor, McCord, and Cox are so focused on what they're doing that you may wish Steele, who's giving superfluous orders, would just go away.

Once again, Steele's tough top routine doesn't always work. The problem isn't his physical appearance or sexual prowess, it's his community theater acting range. (He needs vocal training.) Cole Tucker, a natural gutter-mouth with a lion-tamer's instincts, would have brought more conviction-- and humor-- to the title role. Steele isn't bad, however, in moments of intentional comedy, like the episode where Trucker catches two rebellious slaves dunking his clothes in a toilet. He's most effective when his intensity is tempered with restraint, as it is in the fourth, final, and possibly best sex scene, where he shows Land what getting fucked is all about.