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November 2006 Cover
November 2006 Cover

 Gay Video Review Gay Video Reviews Archive  
November 2006 Email this to a friend
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Piña Colada
By Giacomo Tramontagna

Piña Colada
Rating: 3 Stars
Produced and directed by George Duroy. Videography by Marty Stevens, Mark Russos, and Mel Roberts, Jr. Music by B.K. Sun. Starring Mark Aubrey, Brandon Manilow, Troy Allen, Ruslan Brodovich, Chris Cameron, Steve Jennings, Alex Orioli, Ryan Pawlowski, Matt Phillipe, and Oleg Tarkowski.
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As boyfriend Mark Aubrey embarks on a Brazilian holiday, dark-haired beauty Brandon Manilow delays his own departure for a Slovakian woodland photo-shoot. The work gig gives him and three of his colleagues opportunities for giddy exhibitionism, girlish on-camera clowning, and sex. Inside the log cabin that serves as a dressing room, retro-adorable Chris Cameron pairs off with puppyish Ryan Pawlowski; outside, Manilow makes festive use of sprightly Matt Phillipe.

The scene shifts to Brazil, where Manilow joins Aubrey, who's already stumbling through tourist-friendly tribal dance and slurping drinks out of coconut shells. At the beach, the boys meet another vacationing pair, Oleg Tarkowski and Ruslan Brodovich. In short order, Aubrey relieves Tarkowski of his Speedo, liberating a bulbous dick that eventually, after probing the depths of Aubrey's butt, shoots off a cannon-blast ejaculation. Meanwhile, Manilow and Brodovich kayak merrily along the shore before repairing to a secluded yard where, after reciprocal blow-jobs, Manilow fucks Brodovich silly. But the sex doesn't fully catch fire until finally, after a tangential all-oral scene between Steve Jennings and Alex Orioli, Aubrey and Manilow connect as a team with mop-haired blond Troy Allen.

B
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el Ami's brand of visual candy is so finely confected that it seems almost foolish to wish its flavors were sharper and more varied. But there's a sameness to these glossy images of Slavic homosex. You may wonder why these sleek young men have to cross oceans and continents just to hook up with fellow Eastern Europeans. When director George Duroy provides a glimpse of black performers demonstrating capoeira, Brazil's inflammatory fusion of combat and dance, the moment discloses sexual depths Bel Ami never explores.


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