May 2008 Cover
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Several models show signs of acting talent; it's too bad there's no real script
By
Giacomo Tramontagna
Rich Kid
Rating: 3 Stars
Directed by Csaba Borbely. Music by Max Trax and Super Thomas. Starring Dean Monroe, Derek Lyon, Mad Stefano, Thomas Vodnik, Sylvester Valentay, Marco Sanchez, Devon
Williams, Manuel Martinez, Lucien Dickson, Julio Carillo, Antonio Maura, Mickey Cabalo, Rod Stevens, and Tamas Eszterhazy.
How to order
Every so often, Hungarian pornmeister Csaba Borbely, who cranks out more than ten videos a year (this is his 105th production), takes the trouble to shape and pace his scenes in a way that leaves viewers panting
for more.
Shot along a scenic stretch of Croatian coast with a stellar international cast, this bauble from Private Man is never quite as good as it threatens to be, but four of its seven sex scenes outshine Borbely's customary output.
Falcon alumnus Dean Monroe plays a wealthy Brit brat lolling in a posh holiday villa on his 25th birthday. His attitude toward the non-rich, including his housekeeping staff, is revealed by his opening line: "Will one of
you bitches make my breakfast?!" The servants hate him, but instead of tossing him into the Adriatic, they sneak a sex break during breakfast preparations. Ejaculating into a bowl of beaten eggs, they serve their master
a semen omelette. Monroe suspects nothing, but his behavior two scenes later, as he completes a heavy-duty three-way with Derek Lyon and Devon Williams, suggests he doesn't find spooge ingestion especially repellent.
T
here are several oral cumshots, a rarity in Csaba Borbely's
oeuvre. The juiciest and hottest involves Mad Stefano pumping gobs of jizz onto satyr-faced Tamas Eszterhazy's hungry tongue. Some scenes serve up
steamy, unexpected sexual gestures, such as Sylvester Valentay sliding his long hard cock into Thomas Vodnick's swimsuit for a round of
frottage. Monroe's session with Lyon and Williams peaks in an ecstatic daisy chain. A
bonus scene brings this superbly matched trio back for an encore and tosses Eszterhazy into the mix for extra heat.
Monroe and several other models show signs of acting talent; it's too bad there's no real script. The uncredited English dialogue seems to have been made up on-the-fly without regard to coherence. Story elements
wander in and go nowhere. The final setup, Monroe's birthday party, brings key characters together and raises expectations that sex and storyline will fuse, but instead we're sidetracked into tangential scenes that might have
been lifted from some other, lesser effort.
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