November 2004 Cover
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By
Giacomo Tramontagna
Journey to Greece
Rating: 4 Stars
Produced and directed by Lucas Kazan.
Videography by Leonardo Rossi. Edited by
Egisto Mastroianni. Music by Matt Locke.
Starring Sergei Jordanov, Luca Andrade,
Federico Bulsara, Max Veneziano, Antonio
Armani, Pietro
Rosselli, Ivan Cseska, Mario Perez, and
Sebastian Dunn.
How to order
Luca Andrade and Sergei Jordanov, a newly minted couple, have come to an unspecified Greek island for their first romantic holiday. Distractions abound, however, and their relationship comes unglued.
Journey to Greece begins with Andrade walking alone, clutching a suitcase,
then flashes back to the previous week, before Jordanov's infidelity convinced Andrade it was time to leave. Making love in their darkened hotel bedroom, the pair seem to define compatibility. Veterans of projects by master director Kristen Bjorn (who served here as executive
producer), both models turn in skilled, heated sexual performances, even though their scene is cooled by bluish lighting and decor-- representing, perhaps, the chill of monogamy.
On the same island, by contrast, a second gay couple wanders hand in hand through sunstruck streets collaboratively ogling other men. When we first encounter Federico Bulsara and Sebastian Dunn, they share a cruisy moment with three guys heading for the beach.
The sumptuous beach triumvirate (Max Veneziano, Antonio Armani, and preternaturally gorgeous Pietro Rosselli) frolics naked along the shore, then moves indoors for Olympian sex. Meanwhile, Bulsara and Dunn pick up muscular Ivan Cseska. Their scene, which begins with
some devastatingly carnal exhibitionism, is the most beautifully crafted three-way in recent memory. This episode is a difficult act to follow, but Jordanov's encounter with Mario Perez-- to whom he makes the mistake of saying, "I love you" within earshot of Andrade-- is blazingly erotic.
Lucas Kazan videos bearing the stamp of Kristen Bjorn's Sarava Productions tend to be of higher quality than those Kazan releases independently or under other auspices. All nine models here are knockouts. Better yet, they're alive. Except for some arty atmospheric
lighting, especially the strawberry-sorbet effects in the second sex scene, the technical elements are impeccable. One wonders how closely Bjorn was involved. The sex in
Journey to Greece includes some of his characteristic poses; the generous number of cumshots includes several of
his trademark no-hands orgasms. If, in particular, Kazan directed the Bulsara-Dunn-Cseska episode without assistance, he should consider it a compliment to be told it could pass for the work of Kristen Bjorn.
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