
December 2002 Cover
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By
Giacomo Tramontagna
White Trash
Rating: 3 Stars
Produced and directed by Tony Alizzi.
Written by Rick Tugger. Videography by Joe
Anjou, Ed Maxxx, and Mark Jensen. Edited
by Joe Anjou. Music by Gian Franco.
Starring Rod Barry, Trent Cougar, Clay
Maverick, Bret Wolfe, Anthony Shaw, Luke
Pearson, Chad Johnson, Rowdy Carson,
Frieda Lay Brown, and Sharon Kane.
How to order
"Men are pigs!" snarls Earlene (Rowdy Carson), echoing MSR Videos' motto, when her man Luther (Trent Cougar) refuses to accompany her to a karaoke competition at the
local roadhouse. Luther prefers to stay sprawled on the couch in the family trailer, watching
Jerry Springer, slurping beer and, the instant Earlene goes storming off, getting blown by
his cretinous nephew Jeremiah (Bret Wolfe), a lust-crazed oral bottom.
After we're shown a digressive three-way in a filling-station men's room, Jeremiah moves on to Luther's son Amos (Rod Barry), who fucks him in the back of a pickup truck.
Later, when Candy Lee, Luther's skanky pigtailed daughter, reveals that her boyfriend Leroy has had sex with her and stolen their pig, Luther and Amos are hot for revenge. They stalk over
to Leroy's place, find their quarry masturbating by the pigpen, chase him around, throw him over a fence rail, yank his pants off, power-boink him in rotation at both ends, and leave
him face down in the dirt.
<
I> White Trash, which must be the only gay adult video whose press kit has ever contained pork rinds and selected chunks of garbage, is full of junk-food munching and drool.
(Even the pig drools.) Most of the cast seems to cultivate the vacant squint of the deeply inbred; the subhuman acting pays tribute to early John Waters. The sex is punctuated with
grunts and slaps and flying gobs of spit. There are wildly uninhibited moments, like the point where Cougar sprays Wolfe's face with semen and beer, or where Anthony Shaw shoves his
face into Clay Mavericks's asscrack while Maverick pisses into a urinal. The benign Dogpatch lewdness sours a bit and veers off into
Deliverance terrain when the father-and-son team
of rapists tackle Leroy, but White Trash is mostly fun and mostly effective. At the end of the closing credits there's a bonus: Rod Barry proving his ability to wiggle his balls and his ears
at the same time.
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